ART OF THE CUT: Editing the ACE nominated Molly’s Game
Aaron Sorkin has long been known for great writing and smart TV drama. On Molly’s Game, he steps into...
Meet Me at Arri Burbank on January 19th
If you’ve got some time to spare on January 19th, and you’re near Burbank, stop by and see me...
In Depth – Soundly 2 for Windows and OS X
Depending on the type of audio work you do, sound effects play a huge roll in the process. If...
ART OF THE CUT congratulates the 2018 Eddie Nominees
Congratulations to the following feature films and their editors for being nominated for an American Cinema Editors (ACE) Eddie...
Some thoughts on color, brightness, and contrast
I’m not happy with just knowing that colors work together in artistic ways. I want to know why. Here...
LED, the convenient yet dangerous light source
I love LEDs. Well, mostly. I have my tricks for dealing with them, and I’m going to pass some...
Opening titles: commercials that sell a series
The art of the opening title sequence is flourishing like never before. The best ones contain clues, “Easter eggs,”...
Filmtools Filmmaker Friday featuring Filmmaker Cameron Trejo
With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a filmmaker. Filmtools decided...
In Depth Look – Red Giant Universe 2.2
Red Giant develop and distribute some of the best plug-ins out there. Shine and Magic Bullet Looks are my...
Three beautiful TV shows you probably aren’t watching
I’ve worked on episodic television. I know how fast it moves. That’s why I’m amazed at how good recent...
