Review: RØDE Reporter dynamic interview microphone
Omnidirectional dynamic microphones with balanced XLR connections remain the first choice for most ENG (electronic news gathering) organizations to connect...
Hands-on interaction with Teradek, Paralinx, and SmallHD wireless monitoring products
Production professionals in and around the Los Angeles area are going to have a much easier time figuring out...
4-camera shootout in-studio with greenscreen & TriCaster virtual set
The goal was to compare several cameras that made me curious for studio use with a greenscreen using a...
HDR has arrived – are professionals and consumers ready for it?
Dolby Vision has had a presence at industry events for many years now, but high-dynamic range (HDR) technology is...
V-Log L on the GH4: don’t panic
I shot V-Log L on the GH4 and graded it back to match Cinelike D, comparing internal and external...
Product Review: SwiftCam M3S Smartphone Handheld Stabilizer
DSLRPros has upped their game with a brand new brushless handheld smartphone stabilizer, the SwiftCam M3S. I’ve had a...
Shure briefly responds to 4 pending questions
Back in May 2015, I published the article Initial review: ShurePlus MOTIV Mobile Recording app for iOS. Later, I applauded...
Experience 4K, the FS7 and the entire end-to-end workflow that goes from camera to display
Cameras like the FS7 and formats like 4K have and continue to change the way professionals approach their craft....
4K insights, education and a place to showcase some amazing work will all be featured on Sony’s new YouTube channel
While there are still people debating about the merits of 4K, most professionals have embraced the fact that 4K...
FiLMiC Pro 5.0 adds 4K and 7 other category improvements to iPhone shooting
As I have covered in prior articles, the main reasons to use FiLMiC Pro when shooting video with an...
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