Audio tests with Átomos Shogun and Sony A7s
My friend Jorge González and I got together to test the audio quality on his Sony A7s and with...
Establishing SCM: a standard Scale for Confidence Monitoring
In a recent article called Confidence: What it means in audio/video production, I defined the concept of confidence in monitoring....
Confidence: What it means in audio/video production
In audio/video production, the term confidence is used with both technical and non-technical contexts. From the human to the ultra-geeky, ahead...
Preview: SLR Magic ANAMORPHOT 2.0x 50 anamorphic adapter
The SLR Magic ANAMORPHOT 2.0x 50 is an anamorphic adapter with the classic Cinemascope 2:1 squeeze ratio, designed to mount in...
Aerial Videography with the DJI Inspire 1: Part 2
My second part as a follow-up to my first DJI Inspire 1 review, covers what I think is one...
Why Hindenburg Journalist PRO is the best Skype audio production tool I’ve ever used
You may have read my recent article called Meet the Hindenburg family of audio production/editing tools, which is a three-page...
Flashpoint LED Panels Best Bang for Your Buck!
Flashpoint LED panel lights are durable, portable and quality construction – and best of all, affordable. I’ve used other...
How to do your audio setup for a live TV studio
Recently, I proposed the topic of how to do the audio setup for a live TV show to our...
LUT Tricks for the Sony FS7/F5/F55
Sony’s Cine-EI mode is both a blessing and a curse. Here’s how to work to its strengths and around...
Find Out What’s In Store for Attendees of The 6th Annual New Media Film Festival
Taking place on June 9th and 10th, the 6th annual New Media Film Festival embodies the transformative power of...
