HDR has arrived – are professionals and consumers ready for it?
Dolby Vision has had a presence at industry events for many years now, but high-dynamic range (HDR) technology is...
V-Log L on the GH4: don’t panic
I shot V-Log L on the GH4 and graded it back to match Cinelike D, comparing internal and external...
Product Review: SwiftCam M3S Smartphone Handheld Stabilizer
DSLRPros has upped their game with a brand new brushless handheld smartphone stabilizer, the SwiftCam M3S. I’ve had a...
Shure briefly responds to 4 pending questions
Back in May 2015, I published the article Initial review: ShurePlus MOTIV Mobile Recording app for iOS. Later, I applauded...
Experience 4K, the FS7 and the entire end-to-end workflow that goes from camera to display
Cameras like the FS7 and formats like 4K have and continue to change the way professionals approach their craft....
4K insights, education and a place to showcase some amazing work will all be featured on Sony’s new YouTube channel
While there are still people debating about the merits of 4K, most professionals have embraced the fact that 4K...
FiLMiC Pro 5.0 adds 4K and 7 other category improvements to iPhone shooting
As I have covered in prior articles, the main reasons to use FiLMiC Pro when shooting video with an...
First look: i-XLR from RØDE is much better than it first seemed
At IBC in Amsterdam, RØDE announced its new i-XLR plug-in preamp/A-to-D converter for iOS devices like the more recent...
NewTek releases an SDI version of TriCaster Mini
Back in October of 2014, I published a three-page article about NewTek’s TriCaster Mini (link ahead), the first TriCaster...
New glass: SLR Magic ANAMORPHOT-CINE primes
Hong Kong’s SLR Magic has just announced the development of two sets of anamorphic primes: 1.33x and 2.0x. The sets...
