REVIEW – Continuum 2021 AVX
If you use effects in your editing timeline (and let’s be honest, who doesn’t), then you’ve come across Boris...
ART OF THE CUT with Oscar nominee Andrew Mondshein, ACE on editing “Ma Rainey’s Black Bottom”
Today on Art of the Cut we’ll be hearing from Andrew Mondshein, ACE, who edited the recently released Netflix...
Art Of The Cut Podcast Eps. 79 (“Ma Rainey’s Black Bottom” Editor Andrew Mondshein, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
The 10 Adobe Premiere Pro and After Effects updates in 2020 that should be part of your workflow
If you’ve been using Adobe video applications for a long time it’s easy to miss new features that arrive...
Review: HandShaker transfer-macOS for Android devices + Auphonic crossgating resolution
Auphonic is still the king of automatic crossgating to reduce crosstalk among multiple microphones (especially when there is much...
Making Virtual Production a reality for independent films
Virtual Production is becoming a practical solution for mainstream productions that need to consider social distancing and budget. A...
Avid end the year with Media Composer 2020.12
I have to admit that Avid Media Composer hasn’t been front and center on my editing radar this year as...
After Effects Classic Course: Rigid Mask Tracker
Following up on our recent posts about the Warp Stabilizer and 3D Camera Tracker, in one of the first...
Loupedeck update finally adds support for Motion parameters in Adobe Premiere Pro
Normally I don’t write a blog post about every little updated to every little piece of post-production software installed...
Art Of The Cut Podcast Eps. 78 (“Minari” Editor Harry Yoon, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
