Is too much Resolution too much of a good thing?
For decades, the push for resolution in electronic cameras was practically a war, a way of life, an epic...
Canon EOS VR System is compatible with Pico VR headsets
ProVideo Coalition has confirmed that Canon’s new VR lens is compatible with more headsets than the Quest 2, and...
Binning it: Understanding layer rendering order in After Effects
After Effects revolves around a layer-based timeline, and this core functionality is largely responsible for defining what After Effects...
Rendering 45 percent faster using Multi-Frame Rendering in After Effects on “The Voice”
Over his accomplished career, Anderson has worked on some of television’s biggest events, including the Oscars, the Grammy Awards,...
How to choose the best hardware for Multi-Frame Rendering in After Effects
Multi-frame rendering is currently available in Adobe After Effects Beta. Introduction With the new 22.x version of After Effects,...
Canon RF5.2mm F2.8 L Dual Fisheye: a world’s first for VR capture
The world’s first digital interchangeable dual fisheye lens capable of shooting stereoscopic 3D 180° VR imagery to a single...
Post|Production World is online and free
The Post|Production World conference is a staple of NAB Show and while we were planning to move full speed...
Cinematic Mode, the future of iPhone cinematography, and ProRes on a phone
By now, you’ll have likely seen an article or social post about Cinematic Mode, the new computational background blur available...
After Effects Roundup September 2021
Adobe MAX 2021 is planned for October 26-28, and is online and free again this year. Registration is open....
Using EXRs and DWA in After Effects
Codecs aren’t the most exciting thing to write about, but a recent update to After Effects included a tiny...
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