A roundup of 70+ After Effects roundups
Here’s a roundup (ok, list) of AE Portal topic roundups on PVC. Many of them have been updated since...
Exploring Workflow, Storage & Archive in M&E – Isn’t This Someone Else’s Problem?
The nuts and bolts of the creative process are not my specialty. When I worked at a post house,...
Media Composer 101 – Advanced – 4K Workflows Part 1: HD Projects
In this first of a two part look at working in 4K in Media Composer, we look at the...
28 Days of Quicktips 2015 – #28daysofquicktips
Way, way back in the year 2009 when I started this channel on PVC I published the 28 Days...
Media Composer Quick Bite 1
Media Compser editors know that our Title safe and Picture safe guides are an essential part of our titling...
Premiere Pro News Notes #11
Here’s another collection of news on tutorials, tips, and related tools assorted with Adobe Premiere Pro. Things have continued...
AE + C4D: Some Minor Assembly Required
We’re fans of the Live 3D Pipeline workflow between After Effects CC and CINEMA 4D Lite. And Adobe has...
4K Studios Uses Blackmagic UHD to deliver old Kung Fu Movies in 4K
San Francisco based 4K Studios are using Blackmagic Design gear to scan old 35mm Film prints to bring old...
Media Composer 101 – Advanced – Creating SD DVD’s from HD, 2K & 4K Projects part 3
In this week’s Media Composer 101 tutorial, I’m going to show you four different DVD burning applications, and how...
Why Digital Sprockets edits video with DaVinci Resolve instead of FCP X
Benjamín Fernández is the director of Digital Sprockets in México City, where since 1994 he has offered post-production, telecine...
