EditorsKeys – Backlit Editing Keyboards
Many editors want customized “Editing” keyboards for their edit suites. Why not take it to the next level with...
Why Not #TryCION?
NAB 2015 just wrapped up and even though AJA rolled out some relevant news and updates, it was the...
3D Text Environments in Motion
On this week’s Motion Magic, I show you how to combine the new 3D text capabilities of both Final...
After Effects Hidden Gems Weekly: Tracking with Nulls
Motion tracking in Adobe After Effects is usually about making a new layer follow the movement of a target...
Playing Out the Creative Process
Gary Yost is no stranger to PVC, as he detailed what went into making “The Invisible Peak” last year...
Refined Zeiss Lenses for Sony α A-mount
Sony announced the launch of refined versions of ZEISS Vario-Sonnar T* standard and wide angle zooms for their α...
Creating Mask Transitions in Final Cut Pro X
The masking features in Final Cut Pro X have been significantly improved in the 10.2 update released last week....
Media Composer 101 – Advanced – Editing Music Videos Part 1
In this first of a multi-part look at editing Music Videos in Media Composer, Kevin P McAuliffe talks about...
Understand 3D Materials in Final Cut Pro X
After a brief hiatus, Steve and myself are back on MacBreak Studio. This week, Steve dives into the new...
Final Cut Pro X New Features
Last week during NAB, Apple rolled out new versions of Final Cut Pro X, Motion, and Compressor. In the...
