Creating the Concept of “Digital Stocks” for RED Digital Cinema Cameras with philmcolor
Anyone who shoots and delivers should take note of a new “digital stock” offering that can give you an...
A Weekend With RHOdium FSND Filters By Schneider Review
Science versus art; it’s the unique combination that allows cinematographers/shooters to be both creative and tech savvy. In other...
Andrew Fried and Bryant Fisher: filming with the Canon EOS C200
Andrew Fried (Chef’s Table) and DP Bryant Fisher (Hamilton’s America), lead the crew of “From Dock to Dish”, first...
An in-depth discussion about Magix VEGAS Pro
This interview below is about Sony Magix VEGAS Pro! If you’ve worked in editing and post-production for any length...
Incredible Shrinking Libraries in Final Cut Pro X
This week on MacBreak Studio, we celebrate our 400th episode! Besides the silliness (which we hope you enjoy), Steve...
ART OF THE CUT – Editing Wonder Woman
Martin Walsh won an Oscar and an Eddie for Best Editing for Chicago (2002). His editing credits go...
Small Cine-Rovers for video production: Part 2 – Eclipse Rovers
After experimenting with my own kit build of my first 1:5 scale POV Cine Rover (see Part 1 of...
A Beastgrip Anamorphic lens for smartphones
Beastgrip is back on Kickstarter for the third time, and backers continue to support the projects from Vadym Chalenko...
The Electronic Side of Color Media
In our previous installment, we looked at the history of color in film. Film color evolved over the years...
360 video: next stop is the living room
The adoption of 360 video as a window into the world of AR and VR seems to gain momentum....
