Cleanfeed Pro multitrack + safety backup in Hindenburg Journalist Pro
As I have covered previously, Cleanfeed and Cleanfeed Pro are my favorite options to record high quality audio remotely...
Grade it yourself: color correction fundamentals
Editors often shy away from final color correction. However, the budget on many projects doesn’t include room for a...
After Effects & Performance. Part 13: The Wilderness Years
By 2014 After Effects was roughly 21 years old. The list of improvements and new features added since the...
NAB-AT-HOME: 2020 Audio Design Desk
Audio editing can sometimes feel like a forgotten aspect of filmmaking and production. Yet, as a twenty-year veteran camera...
Art Of The Cut Podcast Eps. 48 (“The Last Dance” Editing Team)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
NAB-AT-HOME 2020: Lensfinder.com Is Now Free
We all may have dived down the inter-web wormhole to find that elusive cinema lens—a time-consuming process. With Lensfinder.com,...
ART OF THE CUT with the editors of “The Last Dance”
Today, I’m talking with the editors of ESPN Films documentary series The Last Dance. Joining me are Chad Beck,...
Pond5 expands distribution rights and legal protection for all creators
With most productions halted due to the pandemic, the usage of stock footage and music in projects has expanded,...
A minor update to Adobe Premiere Pro adds ProRes RAW
We woke up this morning to a minor update to Adobe Premiere Pro. Native support for ProRes RAW in...
KIP – K-Tek Interview Pole REVIEW
Eight weeks ago, six feet was just six feet. Now, those 72 inches is the minimum distance to stand...
