First look preview: Blackmagic Web Presenter HD streaming encoder + shyness fixer
This is my first-look preview article about Blackmagic’s new “Web Presenter HD”, more appropriately called a standalone web encoder....
ARRI’s Amira Goes Live, Sony Gets Sued, and DPs Talk ‘Real-Time Petapixel Photography’
ARRI is courting broadcasters with the AMIRA Live, a new version of its AMIRA camera aimed at multicamera broadcast...
First look: RØDE Wireless Go II dual microphone/recorder system
This is my first-look article about the brand new RØDE Wireless Go II dual microphone/recorder system. I already received...
The best hardware solutions for World Backup Day
World Backup Day is on March 31st, but that’s the celebration day itself, because backup day should be a...
Will Starlink make remote video production more accessible anywhere on the globe?
One thing the COVID-19 pandemic has done for everyone in media production is test their abilities to communicate, produce...
Chrome now has Live Caption for audio and video…even offline
Captions make online content more accessible, but if you’re a Chrome user, the new Live Caption generates captions in...
Understanding Premiere Pro’s Color Management
Read through any of the online forums and you’ll often see this common concern: “Why doesn’t my export look...
State of Remote Editing 2021: How it’s being done and how we should be doing it
It’s a year on from the start of the pandemic shutdown and we revisit the topic of remote editing...
Agence: cinematic storytelling with artificial intelligence
Would you play god to intelligent life? That’s the key question that Agence presents. This dynamic short-film merges cinematic...
ART OF THE CUT with Oscar Best Picture nominee “The Father”
Yorgos Lamprinos is an editor of Greek origin living and working in Paris. Yorgos edited the Oscar Best Picture...
