Defining Color Correction in Production – From RGB to CRT to HDR
Back in the day, color was simpler. A show could change stocks and play around with printer lights, but...
“At The Ready” DP & Director Maisie Crow // Frame & Reference Ep.5
Frame & Reference is a conversation between Cinematographers hosted by Kenny McMillan of OWL BOT. Each episode dives into...
I switched from Mac to PC & built a system to run Media Composer
I made the switch from Mac. There. I said it. Now, with that said, I haven’t completely switched from...
The Scream: a VR documentary inside a madman’s painting
The Scream will be displayed in the National Museum’s new building due to open in Oslo in 2022, but...
Art Of The Cut Podcast Eps. 88 (“One Night in Miami” Editor Tariq Anwar)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
After Effects & Performance. Part 16: A few bits and bobs
As this series on After Effects and Performance draws to a close, there are a few loose ends to...
Review: Maono AU-HD300T dynamic hybrid USB/XLR microphone
Here is my review of the Maono AU-HD300T dynamic hybrid USB/XLR microphone. I am glad to see the market...
ART OF THE CUT with Michelle Tesoro, ACE on editing “The Queen’s Gambit”
Today I’m talking with Michelle Tesoro, ACE about editing The Queen’s Gambit. She edited The SXSW Grand Jury Prize-winning...
The New Sony FX3, A First Look At The Cinema Camera
I need a battery—just a single battery in that camera’s battery compartment. Twenty-four hours before the official announcement of...
V90 memory cards: your choice for 4K video and beyond
The variety of numbers inscribed on a memory card may be confusing sometimes, but one piece of information is...
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