Apple Motion — every editor’s secret weapon
In the Final Cut Pro ecosystem, Motion is the app that lets you create custom titles, effects, generators and...
Apple Studio Display: limited to a single framerate?
Compared with the Apple Pro Display XDR, all but one DreamColor models, Sony multisystem consumer HDTV sets I have...
Do you know how close your smartphone’s lenses focus?
One piece of data usually missing from smartphone specifications is essential for photographers: the minimum focus distance. I asked...
What are the NABiQ Experimental Zones and How Can They Fit Into Your NAB Show Schedule?
NAB Show has long been top of mind and schedule for the experts and authors that define ProVideo Coalition....
Never twice the same colour. Still.
Choice is a wonderful thing, and as such we should all take great pleasure in the fact that modern...
Dupe Detection is coming to Final Cut Pro and this is how it works
The recent release of the Mac Studio has everyone in the video editing world wondering about Final Cut Pro,...
Need stability? Get a ShiftCam ProGrip for your smartphone
People say the best camera is the one that is always with you – and for most of us...
Review: Mac Studio and the M1 Ultra for video editors – part 1
For diehard Mac users, the Mac Studio might be the ultimate machine for a lot of what we do...
Google’s Aloud auto-dubs your English video in Castilian or Portuguese, free
A couple of weeks ago, I announced that the renowned Descript service can finally auto-transcribe audio or audiovisual recordings...
Color Management Part 4: Maxwell’s Spinning Discs
Have you ever stopped to think about where RGB values came from? We all use digital color pickers every...
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