Resolve 16 Boring Detector – What’s in a name?
I was working on Thursday when Blackmagic Design’s Grant Petty introduced a batch of new products in a live...
Let’s Edit with Media Composer – 4K Multicam Off/Online
In this lesson, Kevin P McAuliffe answers a viewers question about how to Offline 4K Red footage in HD,...
Creating Game of Thrones special effects at home with Red Giant’s VFX Suite
Game of Thrones delivered some of the best visual effects and tricks you could imagine, and now you get...
Blender 2.8: A Maya killer for free?
Last week we took a brief look at the news that Autodesk had released an affordable Indie version of...
Oculus Quill 2.0: an all-in-one tool for Virtual Reality animated stories
Born out of the creative needs of an Emmy-nominated VR film, the painting and animation tool Quill has reached...
Adobe Rush adds fast/slow motion with pitch compensation
Although it is not yet clear whether Adobe has fixed any the issues we previously exposed (link ahead), the...
The Art of the Cut Podcast Eps. 7 (w/ “The Peanut Butter Falcon” Editor Kevin Tent)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
After Effects Classic Course: Photo Filter
A couple of posts ago we were talking about using Colorama for tinting an image. If you are just...
Apple Pro Display XDR 6K: the questions I asked Apple
I first covered the Apple Pro Display 6K back in June (link ahead). In addition to its amazing performance...
After Effects selected as VFX category resource for Netflix Post Technology Program
Last October, the Netflix Post Technology Alliance was announced, bringing together some of the biggest technology names in film production...
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