Keeping It Simple: Interview with Cinematographer Paul Koestner
Paul is originally from Kalamazoo Michigan and now resides in Port Washington, NY with his wife Deb. Paul is...
The top 15 insights and updates from IBC 2015 – Part I
This isn’t the first time the PVC team has been out to Amsterdam for IBC, but it’s amazing to...
An exploration of fathers and filmmaking
With several ProVideo Coalition writers hosting their own podcasts, we’re obviously big fans of the medium, which means we’re...
Life as an independent cinematographer, an interview with Nancy Schreiber, ASC
I had the pleasure of speaking with Nancy Schreiber, ASC, who will be featured at the upcoming Manhattan Edit Workshop...
The aftermath of the film vs video debate – A PVC Roundtable Discussion
You don’t often see articles like these anymore, where a famous filmmaker or cinematographer explains their decision to move...
Filmmaking insights around directing, producing, editing and plenty more
The old maxim says, “those who can do; those who can’t teach,” but Freddie Wong and his talented associates...
REVIEW: Wooden Camera’s new shoulder rig, matte box and accessory arm trio
It’s been a busy few years for Wooden Camera. The company started off selling a single little audio accessory...
That PVC Show – Editor: A job on the edge of extinction
Eric Escobar speculated about where or not what has happened in the world of print will happen in the...
The new Hollywood and independent film paradigm
A recent question submitted to the PVC mailbag was from a indie movie producer who wanted to know about...
The end of “Big Optics” in photography
In the middle of the last century, observational astronomy had hit a wall. Larger telescopes were needed to see...
