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PVC Exclusive | Industry Experts

Written by a collection of the best writers in the industry and covering topics ranging from editing to motion graphics to live production. This channel features an incredibly diverse collection of authors and articles.

ARRI Signature Primes: the conscious design of softness

ARRI Signature Primes: the conscious design of softness

This is a story about a lens family whose soft focus backgrounds were consciously designed, and the lens mount that made them possible. For the last six months I&#8217…

CBS and New York’s Grand Central Terminal

CBS and New York’s Grand Central Terminal

When I was in elementary school I occasionally suffered from childhood ailments that kept me home from school. If I felt well enough to come downstairs I would take my…

Using the Oculus Go

Using the Oculus Go

This week on MacBreak Studio, Steve Martin from Ripple Training shows us his new Oculus Go from Facebook. A departure from our usual tips on using Final Cut Pro X…

Ikea Lack Photogrammetry Turntable

Ikea Lack Photogrammetry Turntable

DIY Photogrammetry Scan Table Convert an Ikea Lack table into a scan table…

Setting up your on-set monitor: what to look for, and what to avoid

Setting up your on-set monitor: what to look for, and what to avoid

A few years ago, when high quality LCD monitors didn’t exist, I found myself in the wonderful position of mentally averaging every monitor on the set. The on…

Camera Cranes From the Beginning:

Camera Cranes From the Beginning:

They were every little kid’s dream, at least every little kid who longed to be behind a motion picture or television camera. Riding a huge camera crane as it…

The film look: what is it, and why are there two of them?

The film look: what is it, and why are there two of them?

The film look is an elusive thing. Everyone has their favorite flavor, but there are two basic, yet opposite, techniques in vogue right now—and I think I’ve…

Alexa 65 shows that large format TV makes a difference in “Altered Carbon”

Alexa 65 shows that large format TV makes a difference in “Altered Carbon”

I’m eight episodes in to Netflix’s Altered Carbon, and I’ve officially become a believer in large format TV cinematography. Here’s why. It…

Your camera MAY have a color gamut: further musings on camera color pipelines

Your camera MAY have a color gamut: further musings on camera color pipelines

My last article resulted in some new input on color gamuts. Here’s what I think I know now. Before I start, if you haven’t read my…

Your camera does not have a color gamut

Your camera does not have a color gamut

Yes, it’s true: your camera has no color gamut. Don’t believe me? Good, ’cause I’m going to try to lay it out for…