3D Live Production
If you’ve been eager to get educated about 3D, this video is a great introduction. Learn the basics of...
HEARST ROLLS OUT SONY XDCAM EX CAMCORERS ACROSS ITS STATIONS
Hearst Television is adopting Sony Electronics’ XDCAM EX™ solid-state memory camcorder as its primary ENG and news production technology....
SONY XDCAM HD IS “CORPS” TECHNOLOGY FOR NEW NATIONAL GEOGRAPHIC DOCUMENTARY
Sony’s XDCAM HD optical camcorders have performed in a range of challenging environments – from extreme weather to combat...
NEW SUNDANCE CHANNEL DOCUMENTARY “BRICK CITY” SHOT WITH SONY XDCAM EX CAMCORDERS
A recent documentary premiering on The Sundance Channel was shot entirely with Sony XDCAM EX series cameras (the PMW-EX1...
8-bit, 10-bit, 32-bit, and more
Recently, I’ve been getting a lot of questions about the new icons in the Premiere Pro Effects panel, in...
Open workflows in Adobe Premiere Pro CS5 with Final Cut & Media Composer
Since so many industry professionals typically use a variety of production and post-production tools on virtually every project, it’s...
New RED Mysterium-X support in Adobe tools
As many of you know, CS5 Production Premium includes built-in support for the RED camera format. In the past...
DSLR Workflow Pt 2 – Keying, Time Remapping & Stills in Premiere Pro CS5
For this piece, we’ll take a look at using the new Ultra Keyer in Premiere Pro with some Canon...
The changing landscape of CS5 for Broadcast (part 2)
As I spoke previously, the landscape of broadcast has been changing. That perfect storm of change is forcing broadcasters...
Native DSLR Editing in Premiere Pro CS5
Now that CS5 has officially been announced, launched, and available for download and purchase, I figured it was time...