HPA Tech Retreat, Day One
Welcome to Indian Wells, an offshoot of Palm Springs, CA. So why is the first day’s “Super Session” titled...
Why Smoke is Ideal for Broadcast Part II
So at the end of the day when your spot is being reviewed, and changes are needed, Smoke can...
Accelerate your RED workflow with Adobe Premiere Pro CS5.5
Adobe and RED have collaborated to bring a truly native, color-rich, 4K tapeless workflow to Adobe Premiere Pro CS5.5....
Why Smoke is Ideal for Broadcast Part I
For anyone who has ever worked in a broadcast environment, you know the unique challenges that are involved in...
Revisiting the RED workflow, Smoke 2012 style
My love affair with RED Digital Cinema began in 2007, when my brief stint as demo artist in the...
Evan Schechtman’s Digital ‘Smoke’ House
With a mind of a genius and the spirit of a rebel, Evan Schechtman is one of the most...
Stereo 3D Video Production with GoPro
Whether you love it or hate it, 3D Stereography is here for awhile. And if you’re totally into it...
How technology is influencing storytelling and filmmaking
Academy-award winning VFX Supervisor Rob Legato (Hugo, Titanic), and filmmakers/directors Vincent Laforet (Revelry, Mobius), and Jacob Rosenberg (Act of...
Videoguys’ Top 10 Products of 2011
2011 has been quite a year for Videoguys, and our industry. In April, at the FCPUG SuperMeet during the...
From start to finish – an arsenal of tools
How important is the hardware behind your editing rig? The proper configuration is key in making sure you have...
