What Makes the New G-RAID 7th Generation with Removable Drives Better?
The G-RAID® with removable drives includes HGST Ultrastar™ Enterprise-class Hard Drives Enterprise-class HDDs are rated for 24/7 operation in...
Vashi Nedomansky edits documentary on PTSD with Adobe Premiere Pro CC
With his latest project, Vashi Nedomansky took a detour from the sci-fi Sharknado thrillers to the real- life struggles...
Kirk Baxter, ACE, leads edit of “Gone Girl,” latest box office hit for David Fincher
Kirk Baxter was attracted to cinema from a young age by films such as E.T., Raiders of the Lost...
How the “Gone Girl” post-production team helped us deliver better features in Premiere Pro CC
I’ve been the product manager for Adobe Premiere Pro for four years and have never been more excited to...
SMPTE Time Code – Virtually Unchanged After Almost 50 Years
The more things change, the more they stay the same. So goes the old proverb. SMPTE Time Code is...
Remember your Ps and Qs: Performance and Quality Top Priority for Consumers Watching On-Demand
With BBC iPlayer announcing that viewers will be able to watch their favourite shows on-demand for 30 days, rather...
Creating lasting video impressions
When fans turn their attention to the large screens at sports’ biggest events, there’s a good chance that they’re...
Adobe Creative Cloud News and Specials
Videoguys.com Announces Adobe Creative Cloud for Teams Upgrade, 2-Year Rate Lock, and Special Multi-Seat Prices for 5 or more...
Behind the Workflow and Post-Production Process of Gone Girl
David Fincher’s latest feature film, Gone Girl, was shot in 6K and reviewed in a full 4K pipeline. It’s...
Biscardi Creative Media combines experience, storytelling, and heart
Walter Biscardi Jr. has worked with nearly every NLE during his long and successful career. He started editing in...
