News
Fujifilm X-T30: the little GIANT is ready for full-scale video production
Designed, says Fujifilm, to meet the needs of full-scale video production, the newest APS-C sensor camera of the X...
Pro Photo
The evolution of Background Removal tools in photo editing software
Removing backgrounds from images was once an art reserved for a few, but the evolution of software has made...
News
The new Sigma 28mm T1.5 Full-Frame Cine Lens will be available in March
The new Sigma 28mm T1.5 Full-Frame Cine Lens, will be available in mid March 2019, in two versions: regular...
News
Cinema 4D MoGraph toolset receives Technical Achievement Award
What do Blade Runner 2049, The Avengers: Infinity War, Ready Player One, and Black Panther have in common? They...
News
FilmConvert: new profiles for Nikon Z6 mirrorless and iPhone XR and XS
A new camera profile for the video-centric Nikon Z6 mirrorless camera comes from FilmConvert, and the company is now...
News
HitFilm Pro 12: FXhome rebuilds its video editing and VFX software
Officially announced today, the new version of HitFilm Pro is not just an update. FXhome’s ambitious upgrade features a...
Production
Eve Cohen, DP on Ashe’ 68, a documentary in 360 VR
Ashe ’68 takes us back to one of America’s most tumultuous years. The Ashe ’68 VR Impact Tour aims...
News
Leica M10-P ‘ASC 100 Edition’: the M for cinematographers and filmmakers
The ASC logotype on the top plate, the PL-mount cine lenses, the Cine Looks and aspect ratio options, all...
Production
RED Tech explains how to use Black Shade Calibration to reduce noise
Black Shade Calibration on RED cameras ensures clean and consistent pixel sensitivity across your entire image. A new RED...
News
“Now, Next, and Beyond the Yellow Brick Road”, a conference about the Future of Cinema at NAB 2019
Produced in partnership with SMPTE, the FoCC at NAB 2019, titled “Now, Next, and Beyond the Yellow Brick Road”...
