I love having a big (or big-ish) monitor on set to see what I’m shooting and get excited by it, but the problem with most field monitors is that you can’t see them very well in bright daylight, even if you put a hood around them and set up a sun-blocking floppy overhead. It’s a […]
One of the more interesting features found on the URSA Mini 4.6K and URSA Mini Pro, for me at least, is the 3K Anamorphic setting. This allows a director of photography to shoot 3072 x 2560 4:3 Anamorphic in Raw, Raw 3:1, Raw 4:1 and every flavor of Apple ProRes available in the camera. All you […]
Read More… from Shooting 2x Anamorphic On The Blackmagic URSA Mini 4.6K
Q. What is Artist | DNxIO? A. Avid Artist | DNxIO is a powerful, professional video I/O interface designed to simplify and accelerate your entire HD, Ultra HD, 2K, and 4K workflow. Available as standalone hardware or bundled with industry-standard Media Composer software, Artist | DNxIO enables you to capture, monitor, and output media quickly—in […]
Launched at SXSW Interactive, in Austin, today, the Vuze VR camera is presented as the first 3D-360 degree virtual reality (VR) camera that captures professional quality video combined with 3D audio at an accessible price. The Vuze VR camera represents the dream of the Humaneyes team in terms of Virtual Reality: to develop a camera […]
Flesh and Blood is acclaimed indie director/actor Mark Webber’s latest feature that blurs the lines between fiction and reality as it explores family dynamics. The film is an example of how the name Blackmagic associates to all aspects of filming, from production to post-production. The film was included in the Visions section of the […]
Read More… from Flesh and Blood: shot on Blackmagic, graded in Resolve
