Reviewing New Laowa OOOM 25-100mm T2.9 Cinema Lens
A shift is happening in optics. As a trade, are we going from a Euro-centric lead on cinema glass...
How to make better looking and sounding Skype and Zoom calls
So many broadcasters have been relying on incredibly crappy webcam video for content, ala SNL’s stay-at-home broadcasts, numerous news...
The Premista Motor Bracket Kit from Duclos Lenses
Duclos Lenses is introducing the Premista Motor Bracket Kit designed and manufactured specifically for Fujinon’s latest 28-100mm and 80-250mm...
NAB-AT-HOME: 2020 HEDEN YMER-3 3-CHANNEL FIZ CONTROLLER
The HEDEN Ymer-3 system circles around HEDEN’s already our legendary FIZ motors. The HEDEN Ymer-3 channel FIZ controller has...
PNW Lens Summit, May 5th, Portland OR USA
Quick note: if you’re coming to Portland OR for the PNW Lens Summit, you can get 20% off lodging at...
Zoom H1n: the take-anywhere sound recorder
Introduced at CES 2018, the Zoom H1n Handy Recorder is a stereo digital audio recorder that fits into the...
Fujinon Lunch & Learn Lenses in PDX (and elsewhere!)
This just in, via Twitter and Instagram: Come by Koerner Camera-Portland for a Koerner Cinema Series...
Lenses: My Likes, Dislikes, and the Return of the Cooke Speed Panchro
Every lens has a feel and a purpose. Some reproduce the world perfectly, some imperfectly. They all have their...
Review: Fujinon MK18-55mm T2.9 E-mount cine zoom
Fujinon has just announced two new lightweight cine zooms for E-mount cameras, the MK18-55mm T2.9 and the MK50-135mm T2.9....
Importing iXML data into Final Cut Pro 10.3
This week on MacBreak Studio, Ripple Training’s Steve Martin shows us how you can now automatically assign roles when...
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