Panasonic AJ-PX230 Camera Review
Panasonic continues to deliver what Broadcasters are looking for with the single-lens AJ-PX230 camera. Simple, easy to use by...
Blackmagic Micro Cinema Camera Review
It’s small. It shoots raw. It’s the Blackmagic Micro Cinema. This is definitely one of the smallest cameras I’ve...
Bright Tangerine Matte Boxes – Misfit and Viv
I have a love/hate relationship with most matte boxes. I love them when I need them. I hate them...
Review – The Tangent Ripple affordable color grading control surface
Many years ago I wrote an article called Poor man’s color control surface. This was a time before Resolve...
P + S Technik’s 1.5x 35-70mm Anamorphic Zoom
There I stood in Wooden Camera’s booth at NAB 2016. The woman in front of me cocked her head...
REVIEW: HPE’s StoreEver LTO-7 Ultrium 15000 Tape Drive
I’ve been using Hewlett Packard LTO tape drives to backup and archive important camera footage for about 6 years,...
4.6K Blackmagic URSA Mini Review
We’ve been waiting on this camera, and this sensor, for almost a year. We saw many Beta testers out...
Panasonic’s 4K DVX-200 Camera Review
In an age of DSLRs, Mirrorless, and Digital Cinema cameras who the hell would want a single-lens camcorder, right?...
Panasonic Varicam LT – First Look
In a single candle lit studio I could barely see Panasonic’s New Varicam LT, but what I could see...
REVIEW: Paralinx Ace Wireless Video System
Looking for a wireless video system that has good range, a lightweight form, HDMI or SDI support, and won’t...
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