Sony Z150 Camera Review
Is the Sony Z150 one of the lowest priced professional 4K camcorders on the market? For a brand new...
Panasonic AJ-PX230 Camera Review
Panasonic continues to deliver what Broadcasters are looking for with the single-lens AJ-PX230 camera. Simple, easy to use by...
Blackmagic Micro Cinema Camera Review
It’s small. It shoots raw. It’s the Blackmagic Micro Cinema. This is definitely one of the smallest cameras I’ve...
Bright Tangerine Matte Boxes – Misfit and Viv
I have a love/hate relationship with most matte boxes. I love them when I need them. I hate them...
Review – The Tangent Ripple affordable color grading control surface
Many years ago I wrote an article called Poor man’s color control surface. This was a time before Resolve...
P + S Technik’s 1.5x 35-70mm Anamorphic Zoom
There I stood in Wooden Camera’s booth at NAB 2016. The woman in front of me cocked her head...
Video Wrap-Up of New Products Seen at NAB 2016
Check out our webinar from the Virtual Studio at Videoguys.com powered by the amazing and mighty Newtek TriCaster Mini!...
Review: the first NANO USM all-terrain lens from Canon
Available only for APS-C cameras, the EF-S 18-135mm f/3.5-5.6 IS USM announced on 17 February 2016 is the first...
4.6K Blackmagic URSA Mini Review
We’ve been waiting on this camera, and this sensor, for almost a year. We saw many Beta testers out...
Panasonic’s 4K DVX-200 Camera Review
In an age of DSLRs, Mirrorless, and Digital Cinema cameras who the hell would want a single-lens camcorder, right?...
