THE SONY PXW-Z90 4K SINGLE LENS CAMERA REVIEW
My quick overall opinion on the Sony PXW-Z90 is this little 4K camera is a straight-up documentary / ENG/...
Sekonic L-858D Light Meter Review
Last summer I replaced my trusty Sekonic L-758Cine light meter with the new L-858D model. The 858D features a...
Review: RØDE AI–1 interface—preamp and A-to-D/D-to-A converter
As promised after teasing it in my recent RØDE NT1 microphone review, here is the RØDE AI–1 interface—preamp and...
Review: RØDE NT1 studio microphone, shockmount and pop filter
Here is my review of the black-colored, high-end RØDE NT1 analog electret condenser studio microphone, together with its matching...
Review: Cleanfeed for remote HQ audio interview recordings: part 1
Cleanfeed is an online service that uses the Opus audio códec and the Chrome browser to allow for ISDN...
Review: RØDE Broadcaster, the voice microphone that challenges conventional wisdom
The general consensus is that in order to reject background noise (especially with acoustically untreated rooms), it behooves you...
Review: RØDE improves VideoMic Pro+ with several new features
For many years, I have been reviewing several different types of microphones. However, this is the very first time...
Sigma Cine Zoom Lens Review: 18-35mm and 50-100mm
Is there a better subject for a shooter than their own three-month-old baby? During these early months of fatherhood, Sigma...
Paragon Hard Disk Manager 16 makes it easier to protect your data
Hard Disk Manager solutions are not always very user friendly, especially if you’re not tech savvy. Paragon seems to...
Review: MixPre-3 audio recorder/mixer from Sound Devices
As soon as Sound Devices announced the new MixPre-3 audio recorder/mixer, I requested it for review. Ahead I’ll tell...
