Sony FS5 Mark 2 Camera Review: Looking At The New Color
Yes, the Sony FS5 Mark 2 looks exactly like the original with one exception, the filter wheel on the...
Protecting the Bright Tangerine Misfit
A few years ago I stopped buying cameras, and started putting my yearly gear acquisition budget into grip, lighting,...
Review: JK Audio BlueDriver-F3 wireless Bluetooth transceiver for ENG
At NAB 2018 in Las Vegas, I got my first real opportunity to test JK Audio’s BlueDriver-F3 wireless Bluetooth...
A Look At The Blackmagic Design URSA Broadcast | A Camera Review
When every other manufacturer went with a larger Full-Frame sensor in their flagship cameras Blackmagic decided to go in...
THE SONY PXW-Z90 4K SINGLE LENS CAMERA REVIEW
My quick overall opinion on the Sony PXW-Z90 is this little 4K camera is a straight-up documentary / ENG/...
Sekonic L-858D Light Meter Review
Last summer I replaced my trusty Sekonic L-758Cine light meter with the new L-858D model. The 858D features a...
Review: RØDE AI–1 interface—preamp and A-to-D/D-to-A converter
As promised after teasing it in my recent RØDE NT1 microphone review, here is the RØDE AI–1 interface—preamp and...
Review: RØDE NT1 studio microphone, shockmount and pop filter
Here is my review of the black-colored, high-end RØDE NT1 analog electret condenser studio microphone, together with its matching...
Review: Cleanfeed for remote HQ audio interview recordings: part 1
Cleanfeed is an online service that uses the Opus audio códec and the Chrome browser to allow for ISDN...
Review: RØDE Broadcaster, the voice microphone that challenges conventional wisdom
The general consensus is that in order to reject background noise (especially with acoustically untreated rooms), it behooves you...
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