post production
Using Blackmagic’s DaVinci Resolve For Editing, Grading, and Finishing
Blackmagic’s DaVinci Resolve 12.5 was the program of choice for editing, coloring, and finishing the original short form comedy series “Please Tell Me I’m…
Updates to Blackmagic’s DaVinci Resolve and Fusion
Two new updates from Blackmagic. For the DaVinci Resolve 12.5.4 update, the big news is adding support for the new MacBook Pro Touch Bar. The Touch Bar is…
DaVinci Resolve on Intel Driven VAIO Z Flip
Will I be able to run DaVinci Resolve on a tablet-like computer? Will I be able to color correct away from my office? Historically, I have run DaVinci Resolve…
Definitive Guide to Editing With DaVinci Resolve Released
Blackmagic releases the official hands-on guide to editing with DaVinci Resolve 12.5. DaVinci Resolve, arguably one of the most popular dedicated color correction programs, has “dabbled”…
Fusion 8.2 On Linux Now Shipping
Blackmagic continues to hit deadlines they imposed upon themselves at NAB2016. The final release of Fusion 8.2, Blackmagic’s visual effects and motion graphics software, is now available…
Kodak’s Shoot Film Workshop
In a dark abandoned home, the late afternoon sunlight broke up the darkness inside and lit up the copious amounts of dust and haze accumulated from years of disuse. Suddenly…
Ben-Hur Uses Blackmagic Micro Cinema Cameras For Opening Sequence
For the opening sequence of Metro-Goldwyn-Mayer and Paramount Pictures’ epic “Ben-Hur” 2nd unit DP Sergei Kozlov turned to Blackmagic Micro Cinema Cameras for his…
Blackmagic Announces Public Beta for URSA Mini User Interface & OS
The public beta for testing and trial has opened up for the Blackmagic URSA Mini’s new User Interface and Operating System. At NAB 2016 Blackmagic CEO Grant Petty…
DaVinci Resolve 12.5.1 Released
Blackmagic adds over fifty new improvements to DaVinci Resolve helping the Color Grading tool and editor become the post-production tool they want to be in everyone’s edit…
Blackmagic Micro Cinema Cameras Used On “Jason Bourne”
Size, dynamic range, and color found in the Blackmagic Micro Cinema Camera, and Pocket Cinema Camera, help elevate Blackmagic’s smallest digital cinema cameras to become the go-to…
Everything You Need in our Avid Post Production Bundle
Introducing Avid NEXIS Pro Post Production Bundles Everything you need to get your small workgroup or facility up and editing on Nexis Pro shared storage At NAB this year Avid…
The Panavision Millennium DXL: Light Iron and RED create a winning new look for large format cinematography
My invitation to a mysterious press event was nearly one of the biggest surprise announcements of the year. That morning Panavision showed their new camera, the Millennium DXL, to the…
Getting Your Foot in the Employment Door
I recently had a long time employee, venture forth into new and exciting opportunities for herself. I began the arduous task of finding a suitable replacement. Before we get too…
Improving image quality by changing channels
Image quality can be a touchy subject, from production right through to final delivery. So to claim that I’m going to show you techniques that can make your…
Do Away with the Array: RE:Lens for After Effects brings clarity to extreme fisheye scenes
RE:Vision Effects, best known for its Academy Sci-Tech award-winning motion-estimation-based effects including Twixtor and Reel Smart Motion Blur, demonstrated RE:Lens for After Effects at…
