Blackmagic Announces Public Beta for URSA Mini User Interface & OS
The public beta for testing and trial has opened up for the Blackmagic URSA Mini’s new User Interface and...
DaVinci Resolve 12.5.1 Released
Blackmagic adds over fifty new improvements to DaVinci Resolve helping the Color Grading tool and editor become the post-production...
Blackmagic Micro Cinema Cameras Used On “Jason Bourne”
Size, dynamic range, and color found in the Blackmagic Micro Cinema Camera, and Pocket Cinema Camera, help elevate Blackmagic’s...
Everything You Need in our Avid Post Production Bundle
Introducing Avid NEXIS Pro Post Production Bundles Everything you need to get your small workgroup or facility up and...
The Panavision Millennium DXL: Light Iron and RED create a winning new look for large format cinematography
My invitation to a mysterious press event was nearly one of the biggest surprise announcements of the year. That morning...
Getting Your Foot in the Employment Door
I recently had a long time employee, venture forth into new and exciting opportunities for herself. I began the...
Improving image quality by changing channels
Image quality can be a touchy subject, from production right through to final delivery. So to claim that I’m...
Do Away with the Array: RE:Lens for After Effects brings clarity to extreme fisheye scenes
RE:Vision Effects, best known for its Academy Sci-Tech award-winning motion-estimation-based effects including Twixtor and Reel Smart Motion Blur, demonstrated...
A Short History of Headroom, and How to Use It
Years ago a meddling DP ruined my great shot. Here’s what I learned from that experience. I’d landed a job shooting part...
Leaving Las Vegas: LED Lights and HDR at NAB
I work a booth at NAB so I didn’t see a lot this year, but I saw enough. Here...
