Media Composer 101 – Advanced – Reformatting your Footage
We’re heading back to the mailbag to answer another viewer question, and it’s one that throws people for a...
Coming Soon: Veydras Micro 4/3 Cinema Primes
Los Angeles lensmen Ryan Avery (formerly with Schneider Optics) and Jim Zhang (a behind-the-scenes designer for the likes of...
Moving “Tracks” in Final Cut Pro X
How do you select all “tracks” in Final Cut Pro X, and do you even need to? This week...
Jeff Brue engineers production pipeline for “Gone Girl”
Jeff Brue founded Open Drives four years ago to design storage solutions for the media and entertainment industry. Working...
Peter Mavromates helps orchestrate new workflow for Fincher’s “Gone Girl”
In the past decade, Peter Mavromates has worked on more than a dozen feature films, as well as a...
Media Composer 101 – Advanced – Roundtripping to After Effects
In the next lesson of Kevin P McAuliffe's “Media Composer 101” tutorial series, he sidesteps from the basic training...
Tyler Nelson assists with ambitious edit on “Gone Girl”
As a child, Tyler Nelson liked to play with Legos. He enjoyed the process of building things, taking them...
Back-timing and Retiming in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us a very useful trick when retiming clips...
Vashi Nedomansky edits documentary on PTSD with Adobe Premiere Pro CC
With his latest project, Vashi Nedomansky took a detour from the sci-fi Sharknado thrillers to the real- life struggles...
Kirk Baxter, ACE, leads edit of “Gone Girl,” latest box office hit for David Fincher
Kirk Baxter was attracted to cinema from a young age by films such as E.T., Raiders of the Lost...
