Manfrotto Pro Light Cinematic Camera Bags Review: Balance and Expand
Do you ever feel like you spend more time carrying your gear from point A to point B, or...
Sony FS5 Mark 2 Camera Review: Looking At The New Color
Yes, the Sony FS5 Mark 2 looks exactly like the original with one exception, the filter wheel on the...
Cine Gear Expo L.A. 2018
Cine Gear Expo Los Angeles ran May 31 – June 3, with exhibits June 1 – 2. The show...
Underwater Panasonic Lumix TS7 4K action camera vs FT7
Thanks to José Antunes (who also writes for ProVideo Coalition magazine), I became aware of this new pair of...
PeterGregg proves GH5s autofocus obliterates the prior GH5
I am so happy with PeterGregg’s new video which proves that the Panasonic GH5s model’s autofocus literally blows away...
NAB 2018: Panasonic Shows Off Cine Live For VariCam LT
Netflix, Amazon, and everyone else who wants to record a 4K live multi-camera event or show while retaining Panasonic’s Super35mm...
NAB 2018: ARRI Signature Prime Lenses for ARRI ALEXA LF
ARRI Signature Primes were designed in conjunction with the ARRI ALEXA LF large format digital cinema camera and are meant...
NAB 2018: Things ‘n’ Stuff
Herewith I collect interesting things I haven’t written about already: mostly cameras and support kit, but there’s other stuff,...
NAB 2018: What Caught My Eye
NAB 2018 didn’t showcase any startling new tech — no new minivan-sized light-field camera; no “Billy Lynn’s Long Halftime...
Blackmagic “Pocket” Cinema Camera 4K vs competition: Canon, JVC, Panasonic and Sony
The recently announced US$1295 Blackmagic “Pocket” Cinema Camera 4K offers unique features in its price category, including: 13 stops...