LUTCalc: Trials, errors, and a full-range LC709A LUT
After much experimentation, and a bit of failed hacking, I’ve come up with a good full-range Cine-EI LUT for...
Hacking Alexa’s Rec 709 LUT into a Sony FS7/F5/F55
A new, free app gives us the power to mix and match LUTs—even between cameras! This is what happened...
Filming the Energy and Intensity of Furious 7 and Mad Max: Fury Road
Furious Seven and Mad Max: Fury Road were both huge blockbusters in 2015, and a quick glance at the...
AJA Cion Camera Review
Seven days was all the time I had with AJA’s Cion, and the results shuffled all my preconceived notions...
Camera rental houses robbed. Be on the lookout for stolen gear.
Over the last couple of weeks there seems to have been a string of robberies from camera rental houses....
LUT Tricks for the Sony FS7/F5/F55
Sony’s Cine-EI mode is both a blessing and a curse. Here’s how to work to its strengths and around...
AJA Cion Gets A Huge Price Cut
AJA cuts $4000 from the price of the AJA Cion.
TLCI and Camera Color: What a Difference a Prism Block Makes
TLCI’s developer says prism cameras and single sensor cameras respond to color in the same way. Thanks to Panasonic,...
Why Not #TryCION?
NAB 2015 just wrapped up and even though AJA rolled out some relevant news and updates, it was the...
NAB 2015: Zacuto Shows Off A New EVF
Zacuto talks to PVC about updates to their Gratical EVF system, Next Generation Recoil Camera Rigs for C100 and...