RØDECaster graduates to palindromic 2.1.2 with free firmware update
Frequent readers know that I have been covering (and using) the 48-kHz exclusive RØDECaster Pro audio mixer/recorder/virtual cart player...
Audio Finishing using Roles in Final Cut Pro
How do you work with audio in your NLE when it doesn’t have tracks or a mixer? This week...
Hindenburg replaces Soundflower with its own virtual audio device
Frequent readers will recall that back in January 2018, I published an article called How to install/update Hindenburg Journalist...
RØDE Wireless Go II dual mic/recorder kit for ENG and undercover work
This is my ENG/undercover review of the RØDE Wireless Go II system, which features two transmitters (with built-in mics...
MicDrop: RØDE collaborates with the Earth’s gravitational field to simplify lavalier usage
Our Australian friends at RØDE have made a collaborative deal with the Earth’s gravitational field to simplify lavalier usage....
Understanding Ecamm Live’s framerates and audio sampling
Although I first reviewed Ecamm Live in March 2020 and later have covered it in countless articles in ProVideo...
Review: Maono PM500 large-diaphragm condenser studio microphone
Here is my detailed review of the new Maono PM500 large-diaphragm condenser studio microphone. I tested it with the...
Shure A81WS & A7WS windscreen/pop/excessive breathing filters
Although I have mentioned the so-called “presidential” A81WS in several microphone reviews, I have never dedicated any article to...
Review: Samson Q9U studio dynamic hybrid mic with A7WS windscreen
Here is my detailed review of the ≈US$200 Samson Q9U studio dynamic hybrid mic with the ≈US$20 Shure A7WS...
RØDE Connect software is almost a free RØDECaster Pro
Our unstoppable friends from Australia seem to innovate 24×7. RØDE just released a simple yet extremely powerful software program...