Color Management Part 4: Maxwell’s Spinning Discs
Have you ever stopped to think about where RGB values came from? We all use digital color pickers every...
Color Management Part 3: It’s all in the brain
In order to manage colors in film and television production, we need a way to measure them. Unfortunately, measuring...
After Effects Roundup February 2022
As we wait for the After Effects Next and Mac M1 support to get out of beta, presumably for...
Color Management Part 2: Newton’s Prisms
Color management may not be fun, but we once we break the topic down into small parts it becomes...
Color Management Part 1: The Honeymoon is over.
Welcome to the first part of my new series on color management. Although it’s exciting to launch a new...
After Effects Roundup January 2022
We’re in between releases for After Effects, although NAB 2022 is only a few months away. The year begins...
After Effects Roundup December 2021
What’s new in After Effects at Adobe covers the December 2021 release (version 22.1.1), with 2 new feartures and...
Quality: 14 tips to improve your After Effects projects
Quality is a tricky subject, covering everything from technical specifications, client expectations and budgetary restrictions, through to subjective opinions...
After Effects Roundup November 2021
November After Effects news remained robust before the holidays. Flomotion shared New Features in After Effects 2022: Cinecom.net...
AE 2022: Multi-Frame Rendering has arrived!
Last week Adobe released After Effects 2022, which includes a number of new features that massively improve performance. I’m...
