Panasonic AJ-CX4000GJ, a broadcast shoulder mount 4K camera recorder
Able to record high quality images supporting 4K and HDR with high-efficiency 10-bit HEVC CODEC the new Panasonic AJ-CX4000GJ...
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IBC2019: Blackmagic announces ATEM Mini video mixer (“switcher”)
At IBC 2019, Amsterdam, Netherlands, Blackmagic Design just announced ATEM Mini, a new low cost live video mixer (“switcher”)...
Media Technology Expo: Seattle & Portland
Advanced Broadcast Solutions, a division of Key Code Media, presents a one-day Media Technology Expo, in Seattle WA on September...
NAB 2019: Michael Bergeron on the Move to IP
At NAB I talked with Michael Bergeron, Product Manager of Studio Camera Systems at Panasonic, about the move to...
Why everyone is talking about IP in Video
I spent my early years in Film and Television production during the transition from analog to digital. Beta had...
Atomos AtomX Sync: audio and video syncing issues are a thing of the past
Debuting at IBC 2018, the new Atomos AtomX Sync module for the Ninja V monitor recorder makes your audio...
5 minutes with Avid Media Composer 2018.7 and the new LIVE TIMELINE
5 minutes wasn’t nearly enough time to truly test out LIVE TIMELINE in the new Avid Media Composer 2018.7 updated...
Let’s Edit with Media Composer – What’s New in 2018.7
In this lesson, Kevin P McAuliffe discusses the newest release of Media Composer, 2018.7, and with it comes one...
NAB 2018: Things ‘n’ Stuff
Herewith I collect interesting things I haven’t written about already: mostly cameras and support kit, but there’s other stuff,...
How many LUFS for ideal audio loudness? Why can’t we be friends?
The recent audio loudness war reminds me of the 1975 hit song Why can’t we be friends?. As I...
