PVC at NAB 2024 – Video Creator Talks exlore go-to-gear, AI workflows and more
What is Movielabs and why should every M&E professional know about?
MovieLabs is one of those industry bodies every M&E professional should know about. Formed by a collaboration of the...
NAB 2024 Roundtable: AI and Filmmaking, are we doomed?
Our diverse industry Panel – Ryan Steelberg, Eric Toulain, Glen Mulcahy, Terri Morgan, and Michael Cioni discuss the impending shadow of AI...
DAY 3 – NAB 2024 Interviews from the floor, Tuesday April 16, 2024
LucidLink – Alex Ferris, Director of Solutions Engineering Alex shares exactly what LucidLink is, how it differs from other...
DAY 2 – NAB 2024 Interviews from the floor, Monday April 15, 2024
Blackmagic Design – Bob Caniglia We talk about the mountain of product announcements out of Blackmagic this NAB –...
From the NAB Show Floor | Nikon
Here is a video you’ll want to watch, because the Nikon at this NAB is the Nikon that now...
From the NAB Floor | Creamsource Lighting
Creamsource had the huge Vortex24 as one of the highlights of its presence at the NAB 2024 show. It’s...
From the NAB Floor | Deity Microphones
Here is a comment from Kenny McMillan about Deity Microphones that kind of says it all: ”you guys just...
From the NAB Floor | Hedge
Hedge makes software that fixes the broken bits of a video workflow, the difficult stuff, the awkward things. the...
From the NAB Floor | Matthews Studio Equipment
“The hard part of the product is naming it”, jokes Martin Torner as he shows the first of a...
From the NAB Show Floor | Atomos
You probably seen the news about the Ninja Phone and the Sun Dragon products from Atomos, but you’ve to...
From the NAB Show Floor | Canon Broadcast Lenses
“We’ve got Josh Stoner here”, says Kenny McMillan, “who’s going to run us through the new broadcast lenses which...
From the NAB Show Floor | Canon Cinema Line
Without new camera models to show, there is not much news from Canon Cinema Line at NAB 2024, so...
OLED? LCD? Fight!
It’s an interesting day when ten or twelve thousand dollars seems like a modest price for a video display,...
From the NAB Show Floor | Old Fast Glass
With an amazing readout speed that a Japanese head of development calls a “buffer monster”, the Fujifilm GFX100 II...
