A new, free app gives us the power to mix and match LUTs—even between cameras! This is what happened...

I am privileged to be among the first tech journalists/consultants to review the just released Audio-Technica BP40 high-end dynamic...

This week on Final Cut Pro X Under 5, Steve Martin from Ripple Training reviews the incredible Sennheiser ClipMic...

This is a review of the Sennheiser PC–8 digital mic/headset with 48 kHz sampling. Ahead you will hear my...

If you want to have the versatility and control of a DSLR in a smaller body and do not...

I was happily amazed this morning when I received a private email from Blackmagic’s public relations department: The 720p...

My friend Jorge González and I got together to test the audio quality on his Sony A7s and with...

In a recent article called Confidence: What it means in audio/video production, I defined the concept of confidence in monitoring....

In audio/video production, the term confidence is used with both technical and non-technical contexts. From the human to the ultra-geeky, ahead...

The SLR Magic ANAMORPHOT 2.0x 50 is an anamorphic adapter with the classic Cinemascope 2:1 squeeze ratio, designed to mount in...

My second part as a follow-up to my first DJI Inspire 1 review, covers what I think is one...

You may have read my recent article called Meet the Hindenburg family of audio production/editing tools, which is a three-page...

Flashpoint LED panel lights are durable, portable and quality construction – and best of all, affordable. I’ve used other...

Recently, I proposed the topic of how to do the audio setup for a live TV show to our...