What’s new in After Effects at Adobe covers the December 2021 release (version 22.1.1), with 2 new feartures and...

As the year winds down we thought we’d take a look back at some of the great content posted...

2021 is (nearly) behind us and we thought it was prudent to gather a group of regular contributors to...

It’s traditional, at the end of the year, to discuss wider issues affecting all the people in the industry,...

Subscriptions are polarizing, and although Adobe makes some excellent apps, if you’d rather buy your software outright, you may...

Quality is a tricky subject, covering everything from technical specifications, client expectations and budgetary restrictions, through to subjective opinions...

Being a colorist isn’t just a profession – it’s a passion. A passion for perfection, for complexity and of...

Last month I taught several sessions at the Final Cut Pro Global Summit. In between my sessions, I checked...

Designed by an iPad user for iPad users, the oriGrid is inspired by the simplicity and elegance of Japanese...

Written and cinematically directed by Lana Wachowski, The Matrix Awakens: An Unreal Engine 5 Experience, showcases the technology from...

It’s been nearly a year since I published a Useful Tools for Editors column so the coming end of...

David Bach is a post audio professional and an expert in dialogue editing and ADR recording (dialogue replacement) for...

In this episode of Art of the Frame, we interview Brian Connor, a VFX supervisor for DNEG on the...

November After Effects news remained robust before the holidays. Flomotion shared New Features in After Effects 2022:   Cinecom.net...