Answering the Essential Color Correction Question: Am I Doing This Right?
Light Iron Announces All New Live Play 3
Light Iron – a post production innovator specializing in on-site dailies and digital intermediate – has reinvented its popular...
My RØDE Reel Trumps Tropfest as World’s Largest Short Film Competition
Entries for the ‘My RØDE Reel’ international film competition have just closed, with a staggering 1,076 films being submitted...
Product Review: Hexolux D7 LED Fresnel Light
The Hexolux D7 LED light ($2400) is one of those lights that breaks ground because it can take the...
Bring It, a Challenge for Starting Videographers
Canon USA announced recently their new campaign, “Bring It”, designed to enlighten consumers to a new perspective of telling...
Litepanels Introduces ASTRA 1×1 Bi-Color Fixture
Litepanels®, a Vitec Group brand and premier provider of LED lighting for the broadcast and production industries, is introducing...
Using the Sun as a Key Light
For today’s Slanted Lens lighting lesson, we are back with cowboy extraordinaire Will Roberts. Our goal was to get...
Replace/Relink in Final Cut Pro X
When to replace and when to relink? This is the question Mark and Steve from Ripple Training tackle on...
MovieType For Element 3D: new for After Effects
Motionworks has released MovieType For Element 3D. The package includes over 200 time-saving type animation presets, 60 camera animation...
Directing Motion with Vincent Laforet
Vincent Laforet is a man with no shortage of accolades. A three-time winner at the prestigious 2010 Cannes Lions...
Canon Presents EF-S 10-18mm for Wide-Angle Video
The new lens, ideal to shoot creative video (and photos) at tight indoor locations such as a cozy corner...
Starting with Moving Pictures
There comes a time in your life when you have to accept that the world is moving forward and...
Sony Enters the 4K Video Race
The newest camera in the Alpha family (Sony says α7 and α7R) is not only one of the smallest...
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White balance in After Effects and Premiere
There are a number of ways to white balance footage in After Effects and Premiere Pro, and Chris and...
