Let’s Edit with Media Composer – ADVANCED – What’s New in 8.6
Facebook misrepresents & underestimates its own audio/video specs
As I have covered previously, YouTube and Vimeo used to misrepresent its own published specs, and then later corrected...
Blackmagic Micro Cinema Camera Review
It’s small. It shoots raw. It’s the Blackmagic Micro Cinema. This is definitely one of the smallest cameras I’ve...
SanDisk CFast corrupts EOS-1D X Mk II photos
Canon suggests customers to refrain from using SanDisk CFast cards when shooting still images, as files, both in RAW...
Have a voice in the future of RAW
The first version of ON1 Photo RAW, which will launch in the Fall, is mostly defined, but ON1 aims...
QuickTime’s Death means it’s time to Switch!
Every post production house in the world that runs Windows machines probably has a copy of QuickTime Pro for...
Last Call: Digital Bolex D16 to be Discontinued
A blog post from Elle Schneider on the Digital Bolex site reveals the sad news: after 30 June 2016 at...
Branded windscreen vs mic flag: let’s compare
Back in 2014, I published the article RT and DirectTV Sports go beyond conventional mic flags by using branded...
Impression 2: the democratic art tool
Topaz Impression 2 aims to relate its users to names as Monet, Van Gogh, and Cezanne, by giving them...
How to upgrade your NLE software mid-project. Not that you should.
There is a rule of thumb that is a near universal standard when it comes to and upgrading a new...
Let’s Edit with Media Composer – ADVANCED – Clip & Interface Color Options
In this Let’s Edit with Media Composer lesson, Kevin P McAuliffe talks about color. The color of your bins,...
A digest of last week’s photo and video news – Week 26
A digest of last week’s news is a selection of some of the news from week 25 from 2016....
Are Ikea batteries Eneloops in disguise?
The new Ikea Ladda batteries are a good choice if you use batteries for your flashes, LED panels, flash...
Multitrack audio for best control later, versus live mix
In field production or in the studio, ideally, we record every audio source on its own track for absolute...
ART OF THE CUT with legendary Oscar-winning editor, Anne Coates
I have interviewed nearly 60 of the top editors in the world at this point including more than a...
