LaCie Names Filmtools their Authorized Support Center on West Coast
AMIA conference: preservation of film and digital archives
This year, speakers come from all over the world to the Association of Moving Image Archivists (AMIA) conference to...
Flash sale on Litepanels
If you want to start your holiday shopping in a light tone and LED panels are in your list...
How to travel safe with lithium batteries
Since 2012 that traveling by plane with lithium batteries, which we use in so many devices, became a headache...
ACE Tech Day with AVID
Spend a morning with Media Composer as Avid’s Solution Specialist, Michael Krulik, highlights the latest features, looks back at...
ART OF THE CUT with John Gilbert on editing Hacksaw Ridge
John Gilbert, ACE has an impressive filmography which includes, Lord of the Rings: The Fellowship of the Ring, Bridge...
Philips 328P6VJEB: extra colour, low price
The Philips 328P6VJEB will be available before Christmas, offering users plenty of room to spread out and enjoy vivid,...
Autocue iPad Teleprompter Review
4K, URSA Minis, Red Weapons, Vintage Lenses, and much more are inspiring pieces of gear which may help us...
Adobe Premiere Pro 2017 and the other CC app updates are live
A new Premiere Pro means a new splash screen. It was a big day for Adobe the Adobe MAX...
The new Social Publishing panel (beta) in Premiere Pro
Adobe thinks that online content creators are spending too much time preparing video for social media channels. Deciding on...
Seven Steps for Lighting a Scene from Barry Andersson
Barry Andersson has written for PVC before, as well as putting on a few webinars, and now he is taking...
Panavision takes Millenium DXL to Poland
New Panavision T Series anamorphic lenses, two workshops, a mobile post-production system, the unique Millennium DXL and other offerings...
Definitive Guide to Editing With DaVinci Resolve Released
Blackmagic releases the official hands-on guide to editing with DaVinci Resolve 12.5. DaVinci Resolve, arguably one of the most...
Exploring Autumn colors at 1600 ISO
Coming from transparency film to digital, 100 ISO was my “safe” value all the time. It’s hard to change...
Final Cut Pro X 10.3 Something Old, Something New, Something Borrowed, Something Blue
Here we are some 1.5 years since the last Final Cut Pro X update and this one is a...
