When exact 24 fps beats 23.976… and when it doesn’t
Easy, fast and secure media file transfer–the Bigfoot of post
I have a long list of “It’s 2017, how come we haven’t figured out how to…” questions. Topping that...
Sony α7R III, the new high-res, fast mirrorless
The new full-frame mirrorless model from Sony offers a 42.4 MP high-resolution sensor, 10 fps continuous shooting, fast and...
Meet the alternative to Adobe: Skylum
Macphun has a vision: to offer photographers a truly worthy Adobe alternative. This was revealed today by its CEO,...
Why FCP X? – 360° POV
VR, AR, XR, MR, 360. Last year, I sat through a discussion on these topics at the Final Cut...
New firmware for Hasselblad X1D and H6D
Modern day cameras allow to enhance user experience through firmware, and Hasselblad is exploring how far it can go...
How the Seal Team series uses Dutti Dolly
Three Dutti Dollies are always around during the production of the CBS series Seal Team, used for multiple situations...
Autodesk updates Flame 2018 family
Flame, Flare, Flame Assist and Lustre have new tricks now, thanks to update 3 released by Autodesk. The new...
Vimeo and Livestream launch Mevo Plus
The new Mevo Plus camera is another step on Vimeo’s path to deliver the most premium live streaming experience...
What Does the Ultimate Video Editor’s Workstation Look Like?
Few can argue with the notion that the media & entertainment industry has been democratized in an incredible manner....
Art of the Shot: Mindhunter cinematographer Erik Messerschmidt
Shot with a tailor-made RED camera, the RED XENOMORPH, auteur David Fincher chose cinematographer Erik Messerschmidt to helm camera...
REVIEW – BCC 11 for Media Composer
There are some certainties in the industry we work on, and one of them as become the yearly (or...
ART OF THE CUT with “TWIN PEAKS” editor DuWayne Dunham
Duwayne Dunham’s filmography is so extensive and impressive that trying to summarize it in a paragraph just doesn’t do...
Behind the Scenes: 40 years of Star Wars
The next film, Star Wars IX, with J. J. Abrams at the helm again, will end the saga started...
Lightroom: the death of the perpetual license
Adobe’s subscription model is not for everyone, and the recent changes of policy force many photographers to look elsewhere...
