Review: edelkrone Wing 7, a portable slider and dolly
The edelkrone Wing 7 is a portable solution to investigate if you need a slider extending to 40cm and...
Flicker: Why On-Set Monitors Fail Us
While working as a young second camera assistant on a film TV series in the 1990s, I noticed the...
Vintage TV Studios in Modern Film and Television
Have you ever watched a movie or a television program set in a time decades ago that had a...
Small Camera, Big Picture – Producing a Dream with the Sony a6300
Being a filmmaker who primarily produces international documentaries, both long and short, I know the pain of traveling with...
Shooting With Fujinon’s New MK18-55mm Cinema Lens
Well well… it appears Fujinon is jumping onto the affordable cinema zoom bandwagon. Today the company announced two new...
King Crimson’s Radical Action: A Fresh Approach to Live Concert Videos
The art of the live concert video has evolved over the years alongside technology, from film cameras on tripods...
Review: Fujinon MK18-55mm T2.9 E-mount cine zoom
Fujinon has just announced two new lightweight cine zooms for E-mount cameras, the MK18-55mm T2.9 and the MK50-135mm T2.9....
Review: Panasonic VariCam LT 4K Super35mm Cine Camera
The VariCam LT is Panasonic’s “affordable” large single sensor VariCam, putting the core of the $55,000 VariCam 35 in...
Attack of the Cyber Octopuses: Sci-Fi without CGI
Imagine William Gibson’s cyberpunk universe and sci-fi products like Blade Runner, Terminator, Escape from New York, Aliens, Akira or...
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