Cine Gear 2019: The Angenieux Optimo Prime Lenses
Drawing on over 80-years of Angenieux cinematic excellence the Optimo Primes are a very much long-awaited step forward in...
RØDE Reporter app: 7 ways to improve it
The RØDE Reporter app for iOS is the bridge from several RØDE hardware devices to an iOS or iPadOS...
Cine Gear: Fujifilm GFX100 Medium Format Camera with a 100MP Sensor
At Cine Gear 2019 we had the opportunity to meet the 100 Mega Pixel Fujifilm GFX100. This is not...
Cine Gear: Panavision DXL-M. Smaller and Lighter 8K Camera
Smaller. Lighter. The Panavision DXL-M is designed to work with RED DSMC2 cameras. The DXL-M combines the quality and...
Cine Gear: Panavision X Series Lenses. Made To Fly
Gearless? Smooth housing? LCD screen? You’d think these lenses were meant for flight. At Cine Gear 2019, we learned...
Leica DG Vario-Summilux 10-25mm f/1.7: a zoom designed for MFT video shooters
With the new Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 ASPH., Panasonic confirms Micro Four Thirds continues to be cared...
Cine Gear: The Arri Alexa Mini LF and the Arri “Look”
The Arri booth seemed to always be full during Cine Gear 2019. Could it have been because many wanted...
Cine Gear: Fujinon Premista 28-100mm and 80-250mm Zoom Lenses
At Cine Gear 2019 PVC not only got to see the Fujinon Premista 28-100mm Large Format Cinema Zoom in...
Cine Gear: Panavision’s LCND. 1 Filter. 6 Stops of ND
During Cine Gear 2019 PVC took the time to visit with Panavision to learn more about their new LCND...
AI in broadcasting: optimizing production and distribution of content
The use of Artificial Intelligence (AI) for broadcasting applications has moved past in-lab research demonstrations and theoretical constructs, and...
