Reviewing New Laowa OOOM 25-100mm T2.9 Cinema Lens
A shift is happening in optics. As a trade, are we going from a Euro-centric lead on cinema glass...
Cleanfeed: much better than Zoom.us for 48 kHz remote audio recordings or live broadcast
For several years, I have been using (and recommending) Cleanfeed (and Cleanfeed Pro) to make pristine remote audio recordings...
Cinematographer Federico Pardo and the Life Cube experience
Cinematographer Federico Pardo traveled to the Amazon during the height of the Covid-19 pandemic. In a recent interview he...
First look: Smart V2M mobile audio interface with 2 lav mics for USB and Lightning
Soon I’ll be publishing my full review of the new Smart V2M mobile audio interface kit from Saramonic, with...
Review: Zoom ZDM-1 dynamic studio microphone or kit
Here is my review of the new large diaphragm ZDM-1 dynamic microphone from Zoom with a supercardioid pickup pattern....
Are LUTs packs worthwhile?
You always know a colourist is paying attention when a LUT is named “Fuji Superior 200” (sic). We won’t...
Reviewing The New Sony FX6
On October 23rd, I stood on one of three triple-tier media risers on Belmont University and outside the last...
Exploring Colour Quality Systems in Production: Lamphouse efficiency, modifier efficiency and more
If we didn’t care about efficiency, tungsten lighting is the best technology ever developed. It has near perfect colour...
Apple introduces new Macs with Apple Silicon
Apple has ended the year with yet another Apple event with their One More Thing event on November 10,...
Reviewing The New Blackmagic Design URSA Mini Pro 12K
What does a director of photography shoot to take full advantage of a brand new 12K RGB sensor? Nature?...
PVC Favorites
Adobe Insights
