Joshua Ausley: production under the pandemic
Award-winning cinematographer Joshua Ausley looks back at a year where smaller, agile crews became the rule, and looks at...
First look preview: Blackmagic Web Presenter HD streaming encoder + shyness fixer
This is my first-look preview article about Blackmagic’s new “Web Presenter HD”, more appropriately called a standalone web encoder....
ARRI’s Amira Goes Live, Sony Gets Sued, and DPs Talk ‘Real-Time Petapixel Photography’
ARRI is courting broadcasters with the AMIRA Live, a new version of its AMIRA camera aimed at multicamera broadcast...
First look: RØDE Wireless Go II dual microphone/recorder system
This is my first-look article about the brand new RØDE Wireless Go II dual microphone/recorder system. I already received...
The best hardware solutions for World Backup Day
World Backup Day is on March 31st, but that’s the celebration day itself, because backup day should be a...
Will Starlink make remote video production more accessible anywhere on the globe?
One thing the COVID-19 pandemic has done for everyone in media production is test their abilities to communicate, produce...
Chrome now has Live Caption for audio and video…even offline
Captions make online content more accessible, but if you’re a Chrome user, the new Live Caption generates captions in...
Agence: cinematic storytelling with artificial intelligence
Would you play god to intelligent life? That’s the key question that Agence presents. This dynamic short-film merges cinematic...
Trusting Apple Displays?
In the “good old days” of post, directors, cinematographers, and clients would all judge final image quality in an...
Working with ProRes RAW in Final Cut Pro
With more and more cameras supporting ProRes RAW recording to the Atomos Ninja V, this week I take a...
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