The Great C: Philip K. Dick’s short story now available on mobile VR headsets
Virtual Reality is good for movies, and the 37 minutes of The Great C show a cinematic virtual reality...
Stabilized Footage AE Script
Get some ideas for how stabilized footage can be used.
FiLMiC Pro framerates: VFR status & workflow reaffirmed at NAB 2019
At NAB 2019, I asked the lead programmers at FiLMiC Pro whether the VFR (variable frame rate) recording situation...
ART OF THE CUT WITH Martin Bernfeld, editor of “Hellboy”
Martin Bernfeld has been editing features for 15 years, including Project Almanac, Paranormal Activity: The Ghost Dimension, Power Rangers,...
NAB 2019: 8K
NAB 2019 marked the point where — without any particular fanfare — 8K television moved from a gee-whiz technology...
Random thoughts on NAB 2019, my saddest NAB ever
Was NAB 2019 boring? Maybe. Admittedly I did spend a lot of time upstairs in the South Hall teaching...
ART OF THE CUT with Phyllis Housen, ACE, editor of “Clemency”
Phyllis Housen, ACE has been a feature film editor since the early ’90s, including Cargo, To Whom it May...
Testing out the Loupedeck+ Final Cut Pro X integration
I do realize I’m a bit behind in posting about the new Final Cut Pro X (and Adobe Audition)...
Acer ConceptD, a whole family of products designed for content creators
Two desktop computers, three laptops, two monitors and a Windows Mixed Reality headset make the Acer ConceptD brand, designed...
NAB 2019: Chatting with Adobe about their new releases
While Adobe took the days leading up to NAB 2019 to release updates to their video products I still...
