Type-C: Samsung’s new USB-C storage on the go
If you need to transfer photos from your smartphone to a flash drive or external hard drive without a...
Hindenburg Pro: 32-bit float compatibility, workflow and best practices
Although 32-bit float recording has existed already for a few years, it was only recently that one of my...
EditMentor and Editing Entrepreneurship
Editing Entrepreneurship may not be something we often think about but the launch of EditMentor got me thinking a...
Color Management Part 2: Newton’s Prisms
Color management may not be fun, but we once we break the topic down into small parts it becomes...
Learn Final Cut Pro in Under 60 Minutes
Our regular MacBreak Studio episodes are 5 to 10 minute tips, usually focused on post-production, and often covering Final...
Genesis: from a VFX pipeline to a real time engine workflow
Telling the story of 4.7 bn years of evolution condensed into 24 h reveal, Genesis is also a radical...
Color Management Part 1: The Honeymoon is over.
Welcome to the first part of my new series on color management. Although it’s exciting to launch a new...
Editors on Editing Podcast w/ “Belfast” Editor Úna Ní Dhonghaíle
On todays episode of Editors on Editing, Glenn talks with “Belfast” editor Úna Ní Dhonghaíle. You likely know Úna...
An update on Kyno and what might be in store for the future of this fantastic piece of post-production software
For years now I have professed my love for Kyno as an integral part of a post-production workflow. It...
GeekTip™: Use an adjustment layer for a 2x vectorscope in FCPX
Behold the vectorscope in Final Cut Pro X, and glory in its limited options: You can set it up...
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