Testing 1, 2, 3: Adobe’s Firefly Video Model now available in public beta
The word “commercial” may be on everyone’s mind after the Super Bowl. From favorites to flops, this year’s crop...
RED V-RAPTOR: is the Nikon Z-Mount version coming soon?
The image published on Instagram by Director/Cinematographer Phill Holland showing a Z-mount got the ball rolling: is a RED...
Tool Tip Tuesday for Adobe Premiere Pro: Saving Transition Presets.
Welcome to Tool Tip Tuesday for Adobe Premiere Pro on ProVideo Coalition. Every week, we will share a new...
Review: Lumix GH7
A filmmaker, videographer or content creator starting out today will not only have a tricky time picking what to...
We need to talk about the new ARRI Alexa camera
In a move that echoes BMW’s ill-fated attempt to sell seat warmers as a subscription service, ARRI has introduced...
DJI OSMO Pocket 3 Review
The DJI OSMO Pocket 3 is one of the newer compact cameras in DJI’s lineup. It marries gimbal technology...
Getty Images: a $20,000 grant to rewrite the narrative about disability
This global creative grant invites photographers and videographers to reimagine how the disability community is represented in professional settings....
Samsung killed the “remote shutter” on the S25 Ultra
A photographer started a petition to ask Samsung to reintroduce the Bluetooth S Pen for Galaxy S26 Ultra, as...
Tool Tip Tuesday for Adobe Premiere Pro: Trim Multiple Clips at Once
Welcome to Tooltip Tuesday for Adobe Premiere Pro on ProVideoCoalition. Every week, we will share a new tooltip to...
X-tract 18-28mm T8: redefining macro cinematography
Designer of professional cine lenses for all filmmakers, DZOFILM introduced this January its new X-tract 18-28mm T8, a probe...
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