Source Timecode Burn-in comes to FCPX (and it’s in the other NLEs too)
Here we go with another edition of Third Party Developers Add Timecode-Things to Final Cut Pro X. This time...
3D Title Plugins for Final Cut Pro X
On this week’s MacBreak Studio, we do a little self-promotion as we take a tour of Ripple Training’s four...
After Effects Hidden Gems: Cropping in the Output Module
One of the most fun and challenging jobs you can work on is a multi-screen projection. The common way...
Review: The Green Screen Handbook, 2nd Edition
Jeff Foster’s “The Green Screen Handbook, 2nd Edition” is subtitled, “Real-World Production Techniques”, and it’s described as “a comprehensive how-to manual...
AirLinc, the iOS app that truly competes with wireless mic systems
For some time, there have been lavalier microphones that terminate with a TRRS to plug into smartphones, as well...
Start at the beginning in After Effects [updated]
The beauty of Adobe After Effects is that it’s approachable for simple tasks and at the same time has a...
Media Composer 101 – Advanced – Editing Music Videos Part 3
In this lesson, Kevin P McAuliffe talks about the basics of Multicamera editing in Media Composer, how to set...
Taking the “Stock” out of Style Elements
NAB 2015 made me rethink what a “Stock Element” is, and why Style Elements are quite simply the “Plug-in...
Exploring Workflow, Archive & Storage in M&E – Influencing Every Aspect of Production and Post
One thing that comes up over and over as we explore workflow, archive and storage is how misunderstandings around...
What Happens When You Try CION?
AJA made a big splash at NAB 2014 with their announcement of the CION, but 2015 is probably going...
