The Beauty of Stock Footage
This is an exchange from She a Go, a fan-made hip-hop music video that uses watermarked comp clips of...
Pro Tools First from Avid is very powerful yet free. Who should use it?
Back in February, I published an article called: 48 reasons why GarageBand is kryptonite for video production. At that point,...
Adobe Cloud Needs a Cinematographer’s Plan
With the price of Lightroom 6 up on the $150 mark and the special prices Adobe offers until the...
Bill Holshevnikoff Looks to Change the Mentality Around Lighting for Cinematographers
More than anything else, ProVideo Coalition is a place where experienced professionals can talk through the essentials around what...
Exploring Workflow, Storage & Archive in M&E – Bridging the Gap Between Security and Usability
More than a few experts labeled 2014 as the “year of the breach”, and a list of all the...
NAB 2015 Wrap-up. Winners, Losers, Drones and Escalators
With another NAB in the books it’s time to take a look back on what we saw, where we...
Tracking 3D Text in Motion
In this episode of Motion Magic, I demonstrate one way of integrating floating 3D text into a scene using...
PXW-X70 users will want a Shogun or PIX-E5 even more after the 4K upgrade
I know several happy users of the Sony PXW-X70 1080p 4:2:2/10-bit camcorder, with its promising 4K Ultra HD future....
The Art of the Cut: With Andy Grieve, editor of “Going Clear”, “We Steal Secrets”, “The Armstrong Lie” and others
Andy Grieve will be among a select group of editors featured in Manhattan Edit Workshop’s Sight, Sound and Story...
THAT Studio Panel Empowers Editors, VFX Artists, and Independent Filmmakers
Most companies wait for NAB to arrive before they roll out their announcements, but Kanen Flowers and his THAT...
