Review: RØDE Reporter dynamic interview microphone
Omnidirectional dynamic microphones with balanced XLR connections remain the first choice for most ENG (electronic news gathering) organizations to connect...
After Effects Hidden Gems Weekly: Basic Behaviors
When Apple first released Motion, it introduced a new animation paradigm: instead of having to keyframe the start and...
Exploring Workflow, Storage & Archive in M&E: IT and production perspectives
Analytical vs creativity, from Shutterstock It should come as a surprise to no one that an editor thinks about...
Hands-on interaction with Teradek, Paralinx, and SmallHD wireless monitoring products
Production professionals in and around the Los Angeles area are going to have a much easier time figuring out...
A digest of last week’s photo and video news – Week 44
Sony buying Toshiba’s sensors, a new Olympus 300mm Pro lens for Micro Four Thirds and the FilmConvert Color Up...
Media Composer 101 – Lesson 13 – Import Settings Part 2 – Graphic Imports
In this lesson, Kevin P McAuliffe continues his look at importing in Avid Media Composer, and gets specific about...
Art of the Cut: The Martian with Cheryl Potter
A follow-up to my interview with 2-time Oscar winning editor, Pietro Scalia and “The Martian.” To dive deeper into workflows, project...
4-camera shootout in-studio with greenscreen & TriCaster virtual set
The goal was to compare several cameras that made me curious for studio use with a greenscreen using a...
Media Composer 101 – Best of Free – MPEG Streamclip
In this lesson, Kevin P McAuliffe answers another question that was asked in the “Avid Editors of Facebook” group...
Exclusive details around the newly released style effects libraries and textured overlays from Rampant Design
Some pretty cool news went out today as Rampant Design announced they were releasing Rampant Motion Graphics for Editors...
